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1.
04:35
2.
06:00
3.
05:29
4.
03:58
5.
02:00
6.
03:52
7.
8.

about

Esta producción musical se desarrolla en el marco de la exposición NASCA (MALI, Museum Rietberg 2017) y tiene la intención de sensibilizar y sintonizar con el legado cultural prehispánico, y así transmitir una nueva mirada hacia la cultura Nasca. Para la producción de este material se ha registrado sonidos de antaras originales que datan entre 200 A.C. - 650 D.C. como también se usaron antaras replicas Nasca. Suenan quenillas, tambores, silbatos, vasijas silbadoras, sonajas entre otros instrumentos musicales que fueron utilizados en época prehispánica.

This musical production has been developed as part of the NASCA exhibition (MALI 2017, Museum Rietberg 2017-2018) and intends to awaken the senses and tune in with the pre-Hispanic legacy, thus transmitting a new insight into Nasca. This production has been recorded using original Nasca antaras or pan-flutes dating back to 200 B.C. - 650 D.C. Replica antaras also were recorded as diverse musical instruments used in pre-Hispanic times, such as quenas, quenillas, drums, rattles, whistling vessels among other instruments.

credits

released June 20, 2017

Composed and recorded: Fred Clarke Alvarez & Ronald Sanchez Pacheco.
Mastering: Tomás Gistau
Cover Image by Alfonso Casabonne
Layout & Design by MALI


Fred Clarke – Antaras, drums, whistling vessels, synths, rattles & shakers.
Ronald Sanchez – Antaras, synths, sound design and production.
Carlos Carty – Antara in track 3 & 5.
Eloy Uribe – Antara in track 6.

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about

Fred Clarke Lima District, Peru

Fred Clarke Alvarez has been researching and exploring the shamanic healing world since 1998 on his path of seeking truth and questioning consensus reality. Learning from native curanderos and living in the Amazon and Andes of Peru, he started to work with the healing power of sound, using ancient musical instruments of Peru and developing his own unique style of shamanic sound therapy. ... more

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